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DISC: 1
| 1. Das Furstenkind: I. Introduction: Prelude |
| 2. Das Furstenkind: II. Introduction: Dialog |
| 3. Das Furstenkind: III. Introduction: Papa, Ich Bin Verliebt (Photini, Bill Harris) |
| 4. Das Furstenkind: IV. Introduction: Mutter Ging Schlafen (Stavros, Christodulos, Photini) |
| 5. Das Furstenkind: V. Introduction: Dialog |
| 6. Das Furstenkind: VI. Introduction: Pallikarenlied (Lange, Joahre, Stavros) |
| 7. Das Furstenkind: VII. Introduction: Dialog |
| 8. Das Furstenkind: VIII. Introduction: Finale I (Photini, Nydia, Harris, Perikles, Christodulos, Barley, Doktor, Chorus) |
| 9. Das Furstenkind: IX. Introduction: Rauber-Marsch |
| 10. Das Furstenkind: X. Act I: Ensemble (Stavros, Spiro, Phalatis, Koltzida, Tamburis, Chorus) |
| 11. Das Furstenkind: XI. Act I: Dialog |
| 12. Das Furstenkind: XII. Act I: Kindchen, Sei Hubsch Brav (Mary-Ann) |
DISC: 2
| 1. Das Furstenkind: XIII. Act I: Dialog |
| 2. Das Furstenkind: XIV. Act I: Ich Diene So Gerne Den Damen (Mary-Ann, Stavros) |
| 3. Das Furstenkind: XV. Act I: Dialog |
| 4. Das Furstenkind: XVI. Act I: Szene (Mary-Ann, Stavros) |
| 5. Das Furstenkind: XVII. Act I: Dialog |
| 6. Das Furstenkind: XVIII. Act I: Ensemble (Mary-Ann, Gwendolyne, Doktor, Stavros) |
| 7. Das Furstenkind: XIV. Act I: Wusstest Du, Madchen, Wie Wohl Das Tut (Mary-Ann, Stavros) |
| 8. Das Furstenkind: XX. Act I: Dialog |
| 9. Das Furstenkind: XXI. Act I: Ensemble (Stavros, Prikles, Rauber, Gendarmen) |
| 10. Das Furstenkind: XXII. Act I: Dialog |
| 11. Das Furstenkind: XXIII. Act I: Finale II (Mary-Ann, Photini, Gwendolyne, Harris, Stavros, Spiro, Doktor, Tamburis) |
| 12. Das Furstenkind: XXIV. Act I: Resignation |
| 13. Das Furstenkind: XXV. Act II: Dialog |
| 14. Das Furstenkind: XXVI. Act II: Quintet: Walzer, Wer Hat Dich Wohl Erdacht? (Mary-Ann, Photini, Gwendolyne, Harris, Doktor) |
| 15. Das Furstenkind: XXVII. Act II: Dialog |
| 16. Das Furstenkind: XXVIII. Act II: Jung Und Alt (Mary-Ann, Stavros) |
| 17. Das Furstenkind: XXIX. Act II: Dialog |
| 18. Das Furstenkind: XXX. Act II: Melodram |
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Das Fuerstenkind (The Prince’s Child) has always been an “insider’s tip” in Leh+ír’s oeuvre, and the composer himself regarded this robbers’ tale from Greece premiered in 1909 as one of his best works. It was also his problem child because it never became a sensational success. The reason may have been due to the works blurring of boundaries between opera and operetta.





