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SKU: SK0064283-US20260105-083122 Category: Tag:
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1. Romeo And Juliet Suite: I. Fanfares Summon The Guests To A Feast At The Capulets. Presto Vivace
2. Romeo And Juliet Suite: II. Music Of The Feast. Più Mosso
3. Romeo And Juliet Suite: III. Juliet Dances With Paris. Andante Con Grazia
4. Romeo And Juliet Suite: IV. Climax Of The Masked Ball. Allegro Molto
5. Romeo And Juliet Suite: V. Sarabande. Andante Molto Sostenuto
6. Romeo And Juliet Suite: VI. Fairy Mab. Presto Grazioso
7. Romeo And Juliet Suite: VII. Finale. Adagio
8. Die Alpen (Fantasy On Swiss Folksongs): I. O Du Verklärte Welt Von Bergen, Felsen, Seen
9. Die Alpen (Fantasy On Swiss Folksongs): II. Dort Senkt Ein Kahler Berg
10. Die Alpen (Fantasy On Swiss Folksongs): III. Ein Junger Schäfer Stimmt Indessen Seine Leier
11. Die Alpen (Fantasy On Swiss Folksongs): IV. Der Blumen Zarten Schnee
12. Die Alpen (Fantasy On Swiss Folksongs): V. Wenn Durch Die Schwüle Luft
13. Die Alpen (Fantasy On Swiss Folksongs): VI. Seht, Hier, Wo Gotthards Haupt Die Wolken Übersteigert
14. Aubade Pour Morges: I. Le Château. Moderato Festivo
15. Aubade Pour Morges: II. Au Parc. Andante Espressivo
16. Aubade Pour Morges: III. Les Vendanges. Vivo
17. Aubade Pour Morges: IV. Clair De Lune Sur Le Lac. Molto Lento
18. Aubade Pour Morges: V. Le Port. Vivo
19. Divertimento No. 2: I. Mosso, Grazioso
20. Divertimento No. 2: II. Adagio Espressivo
21. Divertimento No. 2: III. Vivo, Con Spirito
22. Divertimento No. 2: IV. Prestissimo

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Heinrich Sutermeister (1910-95) belongs to the generation of Swiss composers after Bloch, Honegger, Martin and Schoeck. The runaway success of his operatic version of Romeo and Juliet – in the 1950s it was the most widely produced modern opera after Der Rosenkavalier – soon spread his reputation far afield, and conductors as prominent as Böhm, Karajan and Sawallisch championed his works. Although his star has waned in the quarter-century since his death, the four orchestral works recorded here – ranging from the dramatic suite he drew from that first Shakespearean operatic success via the easy-going charm of two lighter suites to his deeply felt response to the Swiss landscape – bring a salutary reminder of why his music appeals so directly to it’s audiences. This generously filled recording (it’s over 87 minutes in length) is the first in a project where Rainer Held will be recording unknown Swiss orchestral repertoire for release on Toccata Classics.

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