Notturno Fresh Stock
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DISC: 1
| 1. Makrokosmos, Vol. 1: No. 3, Pastorale From The Kingdom Of Atlantis, Ca. 10,000 B.C. (Taurus) |
| 2. Preludes, Book 1, L. 117: No. 1, Danseuses De Delphes |
| 3. Prelude In A Minor, Op. 11 No. 2 |
| 4. Preludes, Book 2, L. 123: No. 2, Feuilles Mortes |
| 5. Prelude In B Minor, Op. 22 No. 4 |
| 6. Prelude In B Major, Op. 28 No. 11 |
| 7. Prelude In E-Flat Minor, Op. 31 No. 3 |
| 8. Prelude In E-Flat Minor, Op. 28 No. 14 |
| 9. Prelude In F-Sharp Major, Op. 39 No. 1 |
| 10. Prelude In F-Sharp Minor, Op. 28 No. 8 |
| 11. Makrokosmos, Vol. 1: No. 2, Proteus (Pisces) |
| 12. Makrokosmos, Vol. 1: No. 11, Dream Images (Love-Death Music) [Gemini] |
| 13. Preludes, Book 1, L. 117: No. 5, Les Collines D'anacapri |
| 14. Prelude, Op. 74 No. 3 |
| 15. Nocturne, Op. 33 (Homage To John Field) |
| 16. Preludes, Book 2, L. 123: No. 4, Les Fées Sont D'exquises Danseuses |
| 17. Nocturne In D-Flat Major, Op. 27 No. 2 |
| 18. Makrokosmos, Vol. 2: No. 4, Twin Suns (Doppelgänger Aus Der Ewigkeit) [Gemini] |
| 19. Preludes, Book 2, L. 123: No. 10, Canope |
| 20. Nocturne In C Major, H 45 |
| 21. Etude, Op. 65 No. 3 |
| 22. Makrokosmos, Vol. 1: No. 10, Spring Fire (Aries) |
| 23. Preludes, Book 2, L. 123: No. 12, Feux D'artifice (I) |
| 24. Prelude In E-Flat Major, Op. 56 No. 1 |
| 25. Preludes, Book 2, L. 123: No. 12, Feux D'artifice (Excerpts) – Fantaisie-Impromptu In C-Sharp Minor, Op. 66 [Excerpts] |
| 26. Prelude, Op. 74 No. 5 |
| 27. Preludes, Book 2, L. 123: No. 12, Feux D'artifice (Excerpts) – Fantaisie-Impromptu In C-Sharp Minor, Op. 66 [Excerpts] |
| 28. Preludes, Book 2, L. 123: No. 12, Feux D'artifice (Excerpts) – Fantaisie-Impromptu In C-Sharp Minor, Op. 66 [Excerpts] |
| 29. Preludes, Book 2, L. 123: No. 12, Feux D'artifice (II) |
| 30. Fantaisie-Impromptu In C-Sharp Minor, Op. 66 |
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Notturno is a game: an interplay of light and shade in a quasi nocturnal setting that is occasionally illuminated by dazzling daylight. Matthias Veit unfurls a “panorama of correspondence”, shifting between tense tranquility and colorful dramatics. Iridescent character pieces inhabited by ghostly figures, un-known and well-loved gems from the piano repertoire span a net that stretches from the Romantic era to the modern day. Works from Crumb’s “Makrokosmos” initiate a musical discourse of pro and contra between the great piano composers, which breathes a single deep musical breath right from the start – ending with an unexpected culmination.


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